Hedda Gabler- Crescendo of
the Age:19th Century Society
Hedda Gabler is a play
written by Henrik Ibsen during 19th century Norway. This time period is
known as the Victorian era which is largely characterized for its peace,
prosperity and social reform. We find elements of the Victorian Era throughout
Ibsen’s play in various forms ranging from human rights to economic
peculiarities. Firstly, through plot development, it is apparent that Judge
Brak and Hedda Gabler are the only members that belong to the aristocrat
social class while the other members are upstarts that have gained their
membership through other means. Notably, we witness Berta commenting “I
should never have dreamt in those days that she and Master George would
make a match of it.” In other words, Berta is surprised that two
individuals from different social classes have married in such unlikely
circumstances. Furthermore, we find Miss Tesman trying to fit within her new
found status by purchasing a hat. This attempt utterly fails as Hedda mistakes
it for a maid’s garment. Miss Tesman’s unfamiliarity and discomfort with her
position only serves to emphasize the ascendancy of the middle class. Hence, we
find the theme new money versus old money where previous upper class members
find their world dissipating by the membership of the middle class.
Compared to the previous
century, gender roles in society remained largely unchanged. There was still a
large belief for a patriarchal system within households and the government. A
monarch was still in place, only to be impeached in the late 19th century, with
the aristocrats controlling economic and political elements throughout the
country. Although the Victorian Era was a time of large reform, women’s roles
were restricted to household duties and intermediaries of wealth through
marriage. In Hedda Gabler, we find Hedda struggling against Victorian standards
by her burning passion to find purpose for her life only to fail since society
did not teach, and provide her with the necessary resources to do so.
Additionally, Tesman’s membership to high society can be mainly attributed to
Hedda accepting his hand in marriage thus signifying women’s roles as contracts
of wealth. Furthermore, Hedda’s dilemma can also be attributed to the lack of
economic mobility women faced. Her material wealth disappeared when she married
Tesman thus showing that women had no control over property at the time. On
another note, men’s roles in Victorian society was largely defined around the
material success they achieved outside of the house. We notice throughout the
play that Tesman is ecstatic about his career opportunity but rather jealous of
Lovborg. This is shown when Tesman seems to take a subtle joy in the
destruction of Lovborg’s “child.” After all, Lovborg achieved
recognition by publishing a highly recognized yet controversial book while
Tesman safely continues on with his research. Therefore, this jealous is
mainly attributed to how society deemed men worthy and the characteristics men
attributed themselves to when it came to self-worth.
In conclusion, the Victorian
Era was a time where economic changes vastly swept over the country. We see in
Hedda Gabler that the middle class are now flooding what use to be an exclusionary
society. Despite the economic changes, male and female roles were largely
unchanged but strictly defined. For one, males were responsible for bringing in
and controlling wealth ,and pursuing worthy jobs. The female role was
mainly within the household with little to no opportunity for mobility in
society. They were largely expected to take care of all household duties and
retain an essence of purity, hence the impact of a sexual scandal. In
summation, the play revolves around characters strictly adhering to Victorian
social standards with only a few representing the oppressive and restrictive
nature the standards carry.
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